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I am one, I am many
I am as we are - eternal, out of time
I am science, magic, chimeric
I am no one, I am legion
I am Saltimbanco
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| Premiere: | April 23, 1992 (Tour 1) January 7, 1999 (Tour 2) July 31, 2007 (Arena) |
| Type: | Touring / Arena |
| Director: | Franco Dragone |
| Composer: | René Dupéré |
| Location: | North American Tour |
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{1992 Visual}
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{2000 Japan Visual}
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{2005 Visual}
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Saltimbanco is a mix of both color and texture with many talented
members to its troupe - a troupe forever exploring new frontiers for Cirque
du Soleil. In its lifetime, Saltimbanco has had two final curtain
calls, and just as many rebirths, making this magnificent show one of the
most prolific in Cirque's repertoire. Forever the ardant ambassador,
Saltimbanco's light has touched many shores during its lengthy
history, including:
Bigtop Tour 1:
- (1992-1994) -- North American Tour
- (1994-1994) -- Japan
- (1995-1997) -- European Tour
- Curtain Fell, London
Bigtop Tour 2:
- (1998-1998) -- Restaged Canadian Specials
- (1999-2001) -- Asia/Pacific & Japan
- (2002-2005) -- European Tour II
- (2005-2006) -- Latin America Tour
- Curtain Fell, Rio de Janiero
Arena Tour:
- (2007-2008) -- North American Tour
Saltimbanco celebrates life. Created as an antidote to the violence and
despair typical of the 20th century, this phantasmagorical show proposes a
new vision of urbanity, overflowing with optimism and happiness.
Saltimbanco is not linear; rather, it is a kaleidoscope, an adventure in
which anything can happen. Saltimbanco has its own language-a soul
expressed through the voice, the body and music.
The framework of Saltimbanco, the characters, like all human beings, are
born with nothing. These are the Worms, at the very base of society. All
similar in appearance yet different one from the other, they must with time
adapt themselves to their environment. Thus, as the show goes on, they
embody various types of social characters, hoping to one day accede to the
rank of Baroque, a cast of visionaries. The Baroques constitute the most
important family in the world of Saltimbanco. Armed with a deeply
perceptive vision of the world and sleeping under bridges, the Baroques,
throughout the fable, reveal the countless contradictions of our civilization
where imagination has not yet taken power.
* * *
Spirit and body, shadow and light, between earth and sky I tumble,
spinning arabesques, kaleidoscope fantasy. I am nobile and rogue,
mortal and sorcerer, fire and water, power and grace. Sublime and
grotesque, somber and afire, I entrance, mesmerize, fusing madness
and wisdom, primordial chaos. ~~ I am celestial, and eerie, playful and
mischievous, subtle and striking, magnificent, androgynous. Soaring,
teetering, slithering, I am fluid, poetic, hypnotic. Dancing, whirling,
flying, I am rebellious, defiant, explosive. ~~ I am one, I am many, I am
as we are - eternal, out of time. I am science and magic, chimeric etheral.
I come from nowhere. I come from everywhere. ~~ But... I am creature of
neither fantasy nor reality, neither incantation nor dream. I am
neither man nor woman, god nor demon, song nor story. I am no one, I
am legion. I am Saltimbanco.
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